Showing posts with label banger. Show all posts
Showing posts with label banger. Show all posts


“All in my face, ‘cuz they wanna ride my wave!” When first starting up, Zero The Kidd’s “Wave” will mislead you. By its watery, ambient synth and tame, auto-tuned intro, you will be convinced that this single is yet another calm pool of modern-trap majesty. That is until the 808 punches the mix, and you are dragged into the current of a high-energy anthem. It is fitting that Zero’s home is Boynton Beach, Florida; for this track is an inescapable tsunami of sound. Washing freshly across your speakers, from the shores of the Sunshine State, “Wave” commands a radio-ready swagger not easily accomplished. Swimming through kicks, snares and hats, Zero The Kidd makes an impressive splash on the record; unleashing a stream of bars and melodies that will enliven anyone who hears them. So much so, that it is certain “Wave” will add another million plays to the ten million Zero has already acquired. If you are in need of a tidal banger for your upcoming, September playlist, look no further than Zero The Kidd’s amazing latest— “Wave”.


 Recent Interview
"WAVE" on Spotify





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There is always a diamond in the ruff. For Burnsville, Minnesota, the multifaceted collective, On Our Own, is precisely that jewel; and summer 2019 may be their defining, shining moment. At least as far as one of their member’s, OOOAndre, latest release can measure; for, “Switch Up” is a modern-trap gem worthy of an imminent crowning. Although the Midwestern crew are well-versed in both R&B and Hip-Hop, “Switch Up” leans ostensibly on their thunderous, trap potential. It is a quintessential banger of today’s sound; fueled by pummeling 808s, invigorating rhythm, and OOOAndre’s unique, yet befitting flow. Obviously, he is the man OOO can go to for a irresistible hit. The way this Gopher State talent maneuvers through the beat simply exudes effortlessness; making “Switch Up” likely a natural phenomenon for ‘Dre. If that is the case, there are tons of records just as potent as this club-ready anthem, hidden within the On Our Own archives, just waiting to be dropped. The moment they are, following the promised success of “Switch Up”, the diamond will no longer be in the ruff. It will be crowning princes as they become kings of the new-age, Hip-Hop scene.



“Switch Up” on Soundcloud
[Download /// Stream]





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“Will I ball ‘til the last day...” These initial bars surf the wave of a funky, serpentine bassline. Iridescent tines sparkle around a string progression that grows more intense as Miztah Brown raps. The moment these melodies reach their climax, and the Canadian spitter is ready to enter his verse, the beat drops, and “Last Day” is on the move. Fully powered by Miztah’s robotic, auto-tuned vocals, this single grooves from start to end. Contemporary drums, characterized by 808 snares, dribbling kicks, and pattering hi-hats, give the Montreal native rhythmic ground to lyrically run across. In this dash, Miztah Brown rhymes about everything: from haters, to hustling, and loving the life he lives. What he yearns to drive home, most of all, is that none of it will stop until his “Last Day”. For the last three years Miztah Brown has been on an incredible streak, and with the drop of this recent anthem, his stock will only rise higher. By the end of the year, a new star may be lighting up the Canadian sky. 




“Last Day” on Spotify
[Download /// Stream]






Recent Video Interview with Miztah Brown




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Already pulling in a thousand views on Youtube, JADDA’s “03” is a New York banger awaiting. Albeit, it pulls from the trap sonics of the South, and drill-inspired sensibilities of the UK, it still carries that legendary, lyrical essence of the East Coast. The BKAY-produced record spotlights JADDA as an upcoming magnet for modern, Brooklyn rap. Through the pinging triangles, hellish melodies, and indomitable drums, the Empire State rapper unquestionably shows off. He batters the beat with no consideration for the heat he discharges, resulting in a fiery anthem that every burrow will ultimately embrace. For, “03” is that igniting. Alongside 22Gz, Casanova 2x, Young M.A., and other contemporary reflectors of Brooklyn rap, JADDA is yet another example of New York Hip-Hop’s evolution. Only his is positioned to create a tidal wave about the East Coast, and wash an energy onto the city that has never been felt before. 



Watch “03” today on Youtube
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Evil keys, an explosive trap beat, and endless, Georgian flow are all kevystaysnappin needs to serve us a dynamic anthem. For, that is what “Gucci” packs; and by all accounts, it is anthemic. Tailored perfectly for the entire culture of Southern Hip-Hop, “Gucci” is a sharpshooter of a single. Although hectic, with its pulsating 808s and pounding trap snares, kevy’s performance gives the record magnitude and direction. You will easily be magnetized by his almost never-ending bars; which sway through an ATLien inflection, and various, lyrical references to other Southern hotspots. There are even a few moments wherein his adlibs are pitched through a muddy, Texan, chopped-n-skrewed filter; only increasing his homage to the South. Such is why “Gucci” is a track that every state below the Mason-Dixon can embrace. Don’t be surprised if you hear this record banging from the trunk of the car beside you; or lighting up the southerly house party you just walked in. kevystaysnappin definitely has a hit.



“Gucci”


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“I can’t flex, Yeah I went and spent 100 on a whip!” What starts as a shiny haze of autotuned adlibs quickly becomes a single worth the charts. All due to a Columbus, Georgia rapper’s incredible command of both melody and bars. With “100 On A Whip”, Rico Tracks’s latest, bubbly offering, the Southern artist shows just how ready he is for mainstream success. Across foaming, bright synths, sparkling tines, and speaker-shaking trap percussions, Rico Tracks sing-song raps through a catchy chorus; undoubtedly prepared to seize your local nightclub. However, when that infectious hook is over, the Georgian up-and-comer proves he has even more to offer with two, hardbody verses. In powering through a poised flow and street-hardened delivery, Rico Tracks also ensures that “100 On A Whip” will be played on every block in Columbus. In this current, Hip-Hop climate, Rico Tracks’s latest smash is a model modern-trap release. It can easily be embraced by the industry, as well as the streets; and that versatility always leads to the hits we sing.




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After wowing us all a while back with their Woah Vada release, “Ghosts In The Machine [Remix]”, Texas’s The Band of the Hawk have returned with another stellar contribution. Gearing up for the unleash of their April 20th album, “Kangol”, the Southern collective offer “Flux Capacitor”: three minutes of abstract, boom-bap bars. The Band’s Noah Archangel and Yeaux Majesty trade a slew of idiosyncratic rhymes over a sampled beat produced by Noah himself. Their flawless handling of the microphone gives “Flux Capacitor” a very East Coast, Golden Era sensation; bolting both artists outside the realm of conventional, Southern Hip-Hop. With such a sparkling, soul-stirring instrumental and broth of eccentric, narrative lyrics, one can not help but feel the influence of MF DOOM, and other ancient, underground legends. Only, The Band of the Hawk prove with “Flux Capacitor” that they have the ability to take their art beyond their predecessors. They are creative; unafraid to challenge the modern sphere of The Lonestar sound, and pave a lane uniquely their own. This fearlessness makes The Band of the Hawk a token we should be vying to protect; and “Kangol” a masterpiece we must anticipate. 


“Flux Capacitor” 



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“I got the glow!” Despite the vibrant subject of Tef Kaluminoti’s March offering, it may be the most diabolical single of the Spring. His four-and-a-half minute “The Glow” is aggressive and abysmal; pumping with the unstoppable energy of North Carolina. As the first single to his upcoming EP, “AMEN”, this record makes a jaw-dropping declaration. It maneuvers jolting 808s, a rushing melody, and earth-shattering drums and world-splitting rhymes, all to warn that this Rocky Mount rapper should not be ignored. The only thing subtle about “The Glow” is the eerie buzz of an electric guitar that’ll tantalize your headphones about each verse. Otherwise, this track is insanely audacious; with Tef Kaluminoti, and his Juicy J-esque flow and persona, bringing it dangerously full-circle. Keep your ears open for “AMEN” when it drops. If “The Glow” is any indication, we are in for a sinister surprise.



“The Glow” on Youtube




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The melody of Emjae’s “Recess” plays like a video game. By the end of its three minute run-time, you’ll know exactly why: it’s all about excitement. Between clever, metaphorical bars, and a volcanic delivery, nothing but overwhelming energy exudes from the modern-trap track. It aims to amaze your upcoming house party with mesmerizing, electronic synths, and a vigorous 808 bass. Emjae effortlessly maintains a high throughout the entire mix. Where many would fumble, the New Orleans/Hartford-repping emcee blazes through his verses. This relentless onrush of lyricism and vitality is precisely what makes “Recess” the party-centric banger that it is. Before the month is over, such a hit will have Louisiana and Connecticut warring for claim over the talented Emjae.




“Recess” 
[Download // Stream]






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A strong person with heart, goals, dreams, and determination is impossible to stop. Introducing on-the-verge artist, Black Mike with his heartfelt newage anthem “Can’t Take It From Me”. With an unheard-of confidence of self, Black Mike delivers himself to the listener, wholeheartedly. With the content of a conscious rapper and the smooth lyrical ease of a swag rapper, Mike proves to be as touching as he is electric! This is more than a well-written and produced banger. This is a movement! Read more about the artist below and download the new single today.

“Can’t Take It From Me”
[Download // Stream]


 New school Hip hop/ rap music, Black Mike is an African American Artist from PG county Maryland, at the age of 12 his mother and him moved out to PA and by the age of 16 Black started his career, when he started writing and began to officially record music at the age of 19. Since then black has joined a formerly group known as LRE (lonely road Entertainment) he has also started his own Movement FOE (family over everything). Black Mike has had the opportunity to travel & tour around numerous states and countries such as Denver Colorado, North Carolina, New York, Montreal Canada, Toronto Canada & more! He has also opened up for a wide variety of major artist such as A boogie wit da hoodie, tee grizzly, Jay critch, Smoke purp, lil xan & more. Black latest release consist of “Heart break effect” & “Can’t take it from me” he tends on releasing his latest EP this summer of 2019, which is bound to set the mark for this artist to head towards his peak!


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California to its core, “Clownin’” by Lil Scotty P is a speaker-shaking banger. It is the Lancaster rapper’s debut single for 2019, threaded with a new-age, West Coast charisma. Roaring, distorted 808s boom across “Clownin’”; adding fuel to the sinful melody, pattering hihats, and Golden state claps on the record. This beat proves to be the perfect plate on which Lil Scotty P can devour his competition. He unleashes a ravenous, high-energy delivery coupled with an unorthodox flow through “Clownin’”. A Californian pain is easily detectable in the West Coast rapper’s inflection. Each bar on his latest release comes from a place of trial and tribulation in the Lancaster streets; energized by the stories and references Lil Scotty P makes to his SoCal lifestyle. Just as Lil Scotty P remains true to the city that bred him, “Clownin’” remains true to the West Coast Hip-Hop sound; all the while putting its creator in a league of his own.


“Clownin” 



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Dripping in radio-ready melody, sprinkled with autotune and a Zone 6 inflection, is “Candy Lady”, the latest single from Atlanta, Georgia’s Leiffy Luciano. Over a sweetly dreamy trap production by Mondo, our DeKalb County resident proffers melodies and metaphors geared towards candy, and every woman who’s flavored just like it. Not a bar is wasted on “Candy Lady”. Leiffy Luciano cleverly ties each one to our favorite, convenient store snacks. He powers through an 808-driven, club-craving chorus with an infectious appreciation for his “Candy Lady”. This two-minute and thirty-second track is as catchy as it is creative. Not only does it feature an addictive bounce, topped by sugary, autotuned highs; but it maintains a fun, unorthodox theme for the duration of its play. If you were a fan of D4L’s king-sized hit, “Laffy Taffy”; then you’ll have a sweettooth for Leiffy Luciano’s “Candy Lady”. One that pressing play is certain to satisfy.


“Candy Lady” 


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